The PLOT or storyline is a series of events in the order they happen for the reader. “Hook” your reader’s interest by giving them just enough information at first. They will read on because they need to know what will happen next. Tease them from time to time with another complication that must be dealt with or an unanswered question that is a necessary part of the puzzle. Pieces of the puzzle will include both events as they occur and flashbacks to the past.
As a new writer mapping out a plan for your story, it may help think back on memories that stand out in your own life. Use an event you have experienced yourself for the basis of your tale. This will give your story authenticity. Of course, you may change the time, setting, character names and ages, position, etc., to make it a work of fiction. Even as a fictional character, you may write as the narrator, exclusively from your point of view. If you choose to write in the third person and develop motives of other characters, you will need to *step back* from the limits of your own perspective and become empathetic. How would you feel if you were in their shoes, with their background experience? Why do they act as they do? What drives them?
Begin your story in the middle of a problem or impending problem. Craft the structure based on genre. The reader will identify most closely with the hero as they face an obstacle and seek to overcome it. The action rises and falls throughout the tale but the intensity should build to the climax of the story. At that point, the main character achieves their goal and all unresolved matters are satisfied. In the end, all the pieces should make sense, as the pieces of a puzzle coming together create a whole picture!
There are two ways I used to construct a story. One is outlining and the other is Plot Mapping. If a story is linear and the end is understood when the writer begins, an outline works well. You have your character facing a problem, the building difficulties, the moment of salvation and resolution. However, if you have an idea for a story and it’s characters but don’t know how it will end yet, you need to build a plot map. Have you ever watched a detective story where either the criminal or the cop has a bulletin board with photos and newspaper clippings on it, with threads connecting various parts to each other? This is a great way to get the big picture of all the back stories and how they fit together. As I’ve said in a past chapter, at first, keep it to three or four main characters as far as detail goes. But the plot at first can look a bit confusing to the reader, like pieces of tangled thread. As the story progresses, the threads need to connect and make sense. It the end all threads tie together in one conclusion. If you physically do this, with a storyboard, you can keep track of the threads you have yet to connect. This is one way you can think through the process of the unwinding tale as you write it.
One note of caution. Writers that begin a tale not knowing where it will take them often have to rewrite whole sections. JRR Tolkien did this when writing The Lord of the Rings. It is time-consuming! This may be daunting to a beginner, but it is a great exercise. Still, for someone just starting out with story writing, it will be easier to take the perspective of one of the main characters and narrate from your point of view. It will be easier to keep track of the plot and remain consistent, “keeping in character.”
A great way to practice plot development is to base it on a well-known story, such as a parable, fable, or other classic tales. Keep the characters and setting but change the starting point or the story the direction takes. You could also write from a different character’s viewpoint. This kind of parody has been successfully done in recent years in “Wicked,” a Broadway play. It is the story of the Wicked Witch of the West (from the Wizard of Oz), telling her own story. Also, “The True Story of the Three Little Pigs, as Told by the Wolf” is a best-selling children’s story! Because these stories are loved and familiar, the new perspective lends itself well to humor.
After rewriting some well-known stories, you will have a better feel for how the plot unfolds. The longer the story is, the more complicated it can be. If you are writing a short story, you’ll want to limit the problems your hero has to one or two. Difficulties from without (a bad circumstance or impending danger) can be overcome at the same time as your hero faces inner flaws (such as insecurity or a bad temper) and rises above them! Struggle with them. Rejoice with them. The more you let the reader see their hero overcome character flaws that they wrestle with, the more your story will resonate. These are some of the “universal truths” I mentioned previously.
– Outline your story.
– Introduce the problem within the first page.
-Resolve the problem bit by bit, with some drawbacks along the way, to increase tension and keep the reader turning pages.
– Make the moment of salvation from their problem definitive and satisfying.
– End the story shortly after the pinnacle of victory by resolving all unanswered questions.
As you prepare to write it helps to read stories that delight you, and take note of how they develop their plot. What is the problem at the beginning? How did the writer “hook” your attention? How did they bring all the problems to a climax and save the main character? How are the loose ends tied up?
Be assured that while there are guidelines for writing an effective story, these are not hard and fast rules. Creative writing is called that for a reason. Just keep your audience in mind and be sure to bring them out of confusion to understanding by the end of the story. They will be coming back for more!